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Thanks For Music" show held in Yoyogi National Gymnasium, in Japan. It peaked at number five, spent eight weeks on the charts, [23] and was certified gold by RIAJ. It peaked at number four and spent nine weeks on the charts. At the time he wanted to become more serious about his music activity but had a negative perspective on life. Gackt's number one spot on the charts. It peaked at number three, spent 23 weeks on the charts, [23] and was certified platinum by RIAJ. These are the first singles that were not written by him, and were released by Avex Trax and Avex Entertainment. It peaked at number four, spent 10 weeks on the charts, and enjoyed considerable success. Thus his vision, which presented him clean-shaven and with long hair, received harsh criticism, but Ken Ogata expressed his approval and supported Gackt's work in the drama. It peaked at number four, spending five weeks on the charts. It peaked at number three, and it was certified gold by RIAJ. They formed the band, Cains:Feel, whose name had biblical reference to the story of Cain and Abel. On October 27, the eighteenth single, " Kimi ni Aitakute ", was released. In , on April 24, he released his eleventh single " Wasurenai Kara ". A year later on July 4, , at a concert at the Nippon Budokan , Yellow Fried Chickenz was disbanded. It reached number four on the charts [23] and was certified gold by RIAJ, [58] his last album to achieve this. It was released on April 19 in Japan, and screened on May 13 at the Cannes Film Festival and on April 12, , at Philadelphia Film Festival. The album includes previously released singles "Seki-Ray" and "Secret Garden". It was his fourth time performing the national anthem. It spent 13 weeks on the charts and was certified gold by RIAJ. It also peaked at number five, through 11 weeks on the charts, and was certified platinum by RIAJ. They are symbolical and psychological stories about the repetition of human sins, war and the question of what is the ultimate meaning of human life. I, which started on May 11, and ended with three consecutive shows on July 7 at the Yokohama Arena. However, he found such way of expression very exhausting and difficult, with a profitability that is not in accordance with the demands of entertainment industry. On December 10, he appeared at the China Fashion Awards in Beijing, where was given the award "Japanese Artist of the Year". It peaked at number three, spent five weeks on the charts, [23] and was certified gold by RIAJ. For Caparison Guitars , Gackt designed two guitars, named "Marcury" and "Venus", which he occasionally uses in his live performances. released Gackpoid , a Vocaloid using a recorded selection of Gackt's voice. Gackt moved to Tokyo and joined them in October After having completed his recordings, his first gig as a solo artist was the 99 Gackt Resurrection tour held in 11 locations across Japan. He co-wrote the script and did his own action scenes on location in Taiwan. Gackt recalls that Kenshin was always portrayed as a very tough man. Dai-Shocker , " The Next Decade ". Although there were high expectations for the group, [67] [68] since their debut performance on June 29, , at the Anime Expo in Long Beach, California , no further activities were announced. It peaked at number five, spent 13 weeks on the charts, [23] was certified gold by RIAJ, [49] and was re-recorded in Korean and released on June 14 for the Korean market. The final concert was held on July 10, at Zepp Sendai. While at the casino, he met a businessman who inspired him to find a purpose in life, that being music. It peaked at number seven, spending six weeks on the charts. Overall, a total of 42 concerts in thirty cities were held, with an audience of about , people. Brain , [] and the film.{/INSERTKEYS}{/PARAGRAPH} His album Diabolos was released on October 26 in eighteen European countries. in song " Ares ". It reached number nine on the charts. It is Gackt's best-selling album, reached number two on the charts, and was certified gold by RIAJ. First, he traveled to Madagascar for the TV show Ima Hadaka ni Shitai Otoko-tachi いま裸にしたい男たち [] then participated in the children's documentary, Hero's Hero, both aired on NHK. {PARAGRAPH}{INSERTKEYS}Main article: Malice Mizer In the early s, Gackt was working as a host and dealer in a casino, while also being an assistant drummer for an amateur band. It peaked at number three, spent 21 weeks on the charts. See media help. In , on March 14, Gackt released his eighth single, " Kimi no Tame ni Dekiru Koto ", which peaked at number six, and charted for 18 weeks, Gackt's longest-charted single until It was Gackt's first concept album, conceived around a fictional narrative during the time of World War II , named "Requiem et Reminiscence". On July 31, , Internet Co. It was Gackt's first single to reach number two spot on the charts, spent 17 weeks on them, [24] and managed to sell over two hundred and fifty thousand copies. to Asia", by DATV at Tokyo Dome, whose profits were planned to help street children in Cambodia and the Philippines. Besides the words of encouragement, he performed an unreleased song especially written for the graduation. It was later recorded in English, Korean and Chinese language. Party", which also continued with four concerts in Korea and Taiwan. Problems playing this file? Gackt's introduction to filmmaking , in addition to music videos, came in and with two TV documentaries. The album peaked at number two, spending 12 weeks on the Oricon charts. In March, his thirtieth single and the series' opening theme, " Journey Through the Decade ", was released, peaking at number two and spending 25 weeks on the charts, [24] and certified gold by RIAJ. In Europe, he visited 9 countries and performed 14 shows. They peaked at number nine and number seven, respectively, and both spent six weeks on the charts. Thus Gackt calls them "Visualive", because they are formed by a story, video images, music, theatre and musical elements, as well as live performance. The film was released on April 19 in Japan and screened on May 13 at the Cannes Film Festival and on April 12, , at Philadelphia Film Festival. It peaked at number five and charted for nine weeks.